Film programmer and curator Chris Cassingham joins us to discuss Lubitsch’s ambiguous, cloistered chamber drama ANGEL. We cover Lubitsch’s newfound low-key late period style, the withholding nature of both the film’s characters and the film itself, interwar politics, the film’s deeply-encoded implications, Marlena Dietrich’s persona, and our feminist readings of the text.
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NEXT WEEK:
Film historian Dr. Olympia Kiriakou joins us to discuss BLUEBEARD’S EIGHTH WIFE. For information as to where to find this film, check out our resources page.
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