For our season 2 finale, we keep it simple and discuss none other than the use of colour across the works of Wong Kar-Wai. In particular, we discuss the use of colour to evoke emotions, mood, and symbolism in his 21st century masterpieces In The Mood For Love and 2046.
We’ll be taking a break for the holidays, but our regularly scheduled programming will continue in January 2021. And who knows, there might be some bonus episodes coming…
The different ways in which colour is utilized and created in cinema: lighting, production design, grading.
Wong Kar-Wai’s evolution as an artist and his highly instinctual and intercultural approach to colour.
Cinematographer Christopher Doyle’s approach to colour.
The new restorations of Wong Kar-Wai’s cinema, and the possible issues therein. AKA: “In the Mood For Love: was it always this green?”
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Works discussed during this episode:
By Wong Kar-Wai:
Days of Being Wild
Chungking Express
Fallen Angels
Happy Together
In The Mood For Love
2046
By Others:
Apocalypse Now
Dick Tracy
