New year, new book, same old Cersei (pretending to be #New for the High Septon). Margo helps us retrace the steps of Cersei's life and unpack the complexities of her familial and romantic relationships (which are kind of one and the same at times).
Where to find Margo
References from Lo
Essay: A MOST UNCOMMON WOMAN: Cersei Lannister’s Gender Trouble
Essay: Maidens, maidenheads, and the patriarchy- Virginity norms in ASOIAF
Mentioned Quotes
Susan Stryker definition: "I use [transgender] in this book to refer to people who move away from the gender they were assigned at birth, people who cross (trans-) the boundaries constructed by their culture to define and contain that gender. Some people move away from their birth-assigned gender because they feel strongly that they properly belong to another gender in which it would be better for them to live; others want to strike out toward some new location, some space not yet clearly defined or concretely occupied; still others simply feel the need to get away from the conventional expectations bound up with the gender that was initially put upon them. In any case, it is the movement across a socially imposed boundary away from an unchosen starting place- rather than any particular destination or mode of transition- that best characterizes the concept of ‘transgender’ that I want to develop here."
From Leslie Feinberg's Transgender Warriors: “Didn’t Joan of Arc wear men’s clothes?” I asked a friend over coffee in 1975. She had a graduate degree in history; I had barely squeaked through high school. I waited for her answer with great anticipation, but she dismissed my question with a wave of her hand. ”It was just armor.” She seemed so sure, but I couldn’t let my question go. Joan of Arc was the only person associated with cross-dressing in history I’d grown up hearing about. I thought a great deal about my friend’s answer. Was the story of Joan of Arc dressing in men’s clothing merely legend? Was wearing armor significant? If a society strictly mandates only men can be warriors, isn’t a woman military leader dressed in armor an example of cross-gendered expression?"
ibid. : "No wonder you’ve passed as a man! This is such an anti-woman society,” a lesbian friend told me. To her, females passing as males are simply trying to escape women’s oppression – period. She believes that once true equality is achieved in society, humankind will be genderless. I don’t have a crystal ball, so I can’t predict human behavior in a distant future. But I know what she’s thinking – if we can build a more just society, people like me will cease to exist. She assumes that I am simply a product of oppression. Gee, thanks so much."
From Alica Spencer-Hall and Spencer Gutt's Trans and Genderqueer Subjects in Medieval Hagiography: "Marginalised identities are often written out of the historical record by those with the privilege of formulating “historical truth”. The Middle Ages is frequently viewed as a time “where men were men, women were women, everyone was the same race and practised the same faith, and no one was corrupted by technology, sexuality or democracy”. This is not how any medievalist worth their salt would put it.
Disingenuous interrogation of the presence of trans people in history is rarely about the factual specifics of the past alone. If talking about trans lives is “anachronistic”, then “trans-ness [is] not an inextricable part of humanity or human diversity”. The transphobe’s dream is an imaginary medieval past in which everyone knows their (gendered) place. Similar themes emerge in the usage of the Middle Ages by the alt-right and beyond: those who fantasize a past in which everyone who mattered was straight, cisgender, white, and Christian. White supremacists and fascists weaponize the Middle Ages to justify their hatred.
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Eliana's twitter: https://twitter.com/arhythmetric
Eliana's reddit account: https://www.reddit.com/user/glass_table_girl
Eliana's blog: https://themanyfacedblog.wordpress.com/
Chloe's twitter: https://twitter.com/liesandarbor
Chloe's blog: liesandarborgold.com
Intro by Anton Langhage
