[School of Movies 2025]
This film began life before James Gunn was abruptly fired overnight, by Marvel. It languished for years through the triumph of Endgame, then the Pandemic, and Gunn's hiring by DC to direct their Suicide Squad sequel. The man who came back to pick up the script had been changed, and while Superman (2025) shows the sheer optimistic joy he's capable of imbuing his projects with, this farewell to the Guardians is a dark, furious requiem of betrayal, loss, bitter conflict and ultimately redemption.
In choosing to make it all about Rocket Raccoon, the secret weapon of the MCU was taken out of the picture. He is attacked by newcomer Adam Warlock on Knowhere home turf, in a failed act of corporate reclamation. His killswitch is triggered, leaving him in a coma and it is up to the Guardians to investigate the Doctor Moreau-inspired High Evolutionary, and find out how to bring Rocket back. This leaves him absent for much of the present-day movie, stuck reliving his tragic past, and the earliest friends he made. These tragic events would twist his future actions into those of anger and neurotic rejection of even his closest companions.
It is unlike any other MCU film, deeply personal and imbued with such vociferous anger that it actually becomes a mess, half hanging onto what was originally intended, half channelling the mixed, spiking emotions of going back to deal with your monster, saying goodbye to your dear friends and moving on to other and better things. The world is better for the confluence of events that led us to getting our new Superman and a brighter future of the DC Universe, but it was Gunn who took the damage, and this film exemplifies that.
Next Week: The Marvels
