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Description

No pressure at all for this one! We start Bogdanovich’s 1970s with one of the most important films in New Hollywood (and cinema at large): The Last Picture Show! Not only a seminal film for its frank sexuality, black and white cinematography, and breakout performances, but also its incredibly messy behind-the-scenes affairs. Talk about 4DX cinema… Plus, we’re joined by friend and film aficionado Brooke Forrest!

 

In this episode we discuss the novelization of Ang Lee’s Hulk, Orson Welles’ love of French champagne and what that might sound like, our disbelief in Cybill Shepherd’s “immediate” attraction to Bogdanovich, Oscar nomination fraud, and Jeff Bridges throwing diabolical fits.

 

Next Episode: What’s Up Doc (1972)

 

Further “Reading”

 

Theme music by Ryan (twitter.com/molecularlioneI)

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