| Review | It’s been almost a decade since Alejandro Iñárritu’s legendary one-two punch of Birdman and The Revenant. His new Netflix production, Bardo, is a meandering and meditative existential wide lens nonlinear dream walk through the director’s own inner self. His fears and insecurities, his loves and passions, his view on family and history and politics and culture - it’s all here, laid bare and put to screen like a surrealist stage play. It’s messy, but life is messy.
