In 2006, Steven Soderbergh released “The Good German,” a black-and-white film set in postwar Berlin, that was in dialog with one of the greatest films ever made: “Casablanca.” Is it an homage, a deconstruction—or something else entirely?
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Credits
Keir Graff & Michael Moreci, hosts
Kevin Lau, producer
Gompson, theme music
Cosmo Graff, graphic design
