We kick off 2026 with a Michelangelo Antonioni film which totally bodes well. La Notte (1961) is the second of three or four films about middle class discontents in a rapidly changing world, and the last of the four that Criterion has decided to show us. It also caps off nearly two months of Lost in Criterion episodes dealing with divorce or other marital troubles - especially if you cast that net wide enough to count the mother-in-law jokes of The Uninvited and take the title of I Married a Witch at face value. What we're saying is that it feels like someone in a decision making position within Criterion was going through some stuff, and since next week starts a boxset of 25 Samurai films, they are no beating those charges.
Anyway, we don't like Antonioni or his stated purposes in making these films, so we once gain must come up with a better interpretation of the story in order to stay interested.
