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Description

Some radio careers are planned.
This one happened because someone needed a name on the spot — and said it confidently enough.

In this episode of Your Dark Companion, Mike Rhyner sits down with legendary radio architect George Gimarc for a deep, funny, and surprisingly emotional conversation about how alternative radio actually came to be — not as a movement, but as a series of accidents, instincts, and battles fought on the air.

George traces his path from Lake Highlands kid to WRR intern on the morning the fall of Saigon broke, to finding his voice at KZEW The Zoo, where Rock and Roll Alternative was born not from strategy — but from reading the spine of an Atlanta Rhythm Section album behind a program director’s desk. What followed was a crash course in punk, garage bands, mail-order records, hostile phone lines, and unwavering belief in music no one else was playing yet.

The conversation pulls back the curtain on the early days of KDGE The Edge, the reality of radio “wars,” and the moment when saying something long enough — world famous, tenth anniversary, alternative — made it real. Along the way, George shares unforgettable stories about introducing U2 before anyone knew who they were, the letters that saved his show, getting fired with friends, and watching formats he helped build eventually forget their own history.

Now stepping away from radio after 50 years, George talks about his next chapter with the Texas Music Hall of Fame, preserving the artifacts, records, and stories that shaped Texas music — the stuff that doesn’t survive unless someone decides it matters.

It’s an episode about belief, timing, and why radio — at its best — was never just about the music. It was about declaring something into existence and daring people to follow.

YDC Ep 193_ George Gmarc

Chapters

00:00:00 – Lightning strikes and welcoming a radio lifer
00:02:06 – “This is the year I leave radio”
00:03:26 – The Texas Music Hall of Fame chapter begins
00:05:38 – Superhero origin stories and radioactive cockroaches
00:06:11 – The first music that mattered
00:08:17 – A high school assignment that changed everything
00:10:03 – Interning at WRR and the fall of Saigon
00:13:05 – Baptism by fire in a newsroom
00:13:33 – Arriving at The Zoo
00:15:30 – The moment Rock and Roll Alternative got its name
00:17:46 – Why nobody questioned it
00:18:28 – Searching for music that didn’t fit
00:20:33 – Garage bands, punk records, and mail-order discoveries
00:22:16 – Buying everything within reach
00:22:52 – Turning obsession into a radio show
00:23:50 – Playing music you didn’t care if people liked
00:24:34 – The Zoo as a radio family
00:25:11 – Getting taken off the air — and coming back
00:26:09 – The letters nobody told him about
00:28:49 – Knowing the show was working
00:31:05 – Introducing bands before anyone knew them
00:34:27 – Radio wars and the wet T-shirt contest with U2
00:37:31 – “We’re from Ireland, lad”
00:38:57 – Mid-show read: CBD House of Healing
00:41:24 – Life after The Zoo
00:44:52 – Pitching and building The Edge
00:47:39 – Small ratings, massive loyalty
00:48:46 – Edge Fest and the money problem
00:50:22 – Ownership drama and the fall
00:51:59 – When pop culture finally caught up
00:52:40 – The Zoo vs. The Edge: James Dean and Elvis
00:54:38 – Declaring anniversaries into existence
00:55:36 – If you say it loud enough, it’s real
00:57:18 – Archiving music before it disappears
00:59:09 – Final reflections and sign-off


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Across its run, Your Dark Companion has featured conversations with musicians, authors, journalists, broadcasters, filmmakers, athletes, and cultural figures whose stories reach far beyond headlines. Guests include Rock & Roll Hall of Fame–level artists, legendary radio and media voices, bestselling authors, filmmakers, professional athletes, industry pioneers, and people whose lived experiences offer rare perspective on music, sports, culture, history, and the human condition.

Each episode favors curiosity over clicks, memory over noise, and long-form conversations that let guests tell the stories that don’t always fit anywhere else.