Introducing…. a PUNKAST mini-series: Adobe Punk: the concert, Mini-Session Interviews
In this introductory episode, Jessica Schwartz (Punkast host/producer) and Theresa Chavez (About Productions, Adobe Punk co-creator) discuss their unique collaboration that produced mini-session conversations with punk trailblazers about their formative contributions and ongoing vital roles in the dynamic subculture. These conversations between Schwartz and each guest (see list below) were recorded live before each performance of Adobe Punk: the concert. Chavez locates Adobe Punk: the concert as a musical extension of the theaterwork she co-created with Gabriel Garza, and we are treated to some music, which Chavez co-composed with Nina Diaz (Girl in a Coma). Situating the issues explored in the mini-session conversations within the larger aims of the March 2024 musical performances, Chavez touches on the importance of topical threads, such as the meaning and evolution of punk, punk ethos and artistic freedom, L.A. punk geography, squatting, and punk feminism, that animate Adobe Punk and position its energetic songs and stories amidst the broader history of punk and the people who live(d) it.
Adobe Punk: the concert took place in front of live audiences at the Frida Kahlo Theater (Los Angeles) from March 15-17, 2024 and the Lineage Performing Arts Center (Pasadena) from March 22-24, 2024. Each night, after a brief introduction by Chavez, these one-on-one conversations kicked off the concert by offering distinct punk perspectives from: Nina Diaz, Jesse Velo (Los Illegals), Mike Watt (The Minutemen, The Missingmen), Lisa Fancher (Frontier Records), Teresa Covarrubias (The Brat), and Jimmy Alvarado (Razorcake, La Tuya, Eastside Punks video series).*
*in order of episode and nightly appearance
For more information: https://www.aboutpd.org/adobe-punk
Song Samples:
(0:00-0:51) Theresa Chavez and Nina Diaz, “Not to Scale”, Adobe Punk, About…Productions, 2022.
Episode Transcript: https://sonix.ai/share/ZSnCCzcUAUozUwZs9rogyvyp
This episode was recorded over Zoom. Bella Gerard edited the audio and transcript.
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