Wes Anderson's latest adaptation of a Roald Dahl anthology is a meditation on how we make sense of what we see, beyond what’s immediately visible. Henry Sugar is a bachelor who discovers a medical journal about a man who can see without his eyes. It suggests that reality can be something that is felt and thought rather than literally ‘seen’. Phantasmagorical in nature, as always Anderson's picture is a masterclass in set design, laden with quirky intricacies. A toast to Henry Sugar and what can - and can't - be seen, only imagined.
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