Fletcher Henderson: Money Blues, Carolina Stomp, Gershwin:That Certain Feeling, Eddie Lang: Best Black, C. Williams with Armstrong, Bechet, Eva Taylor: Papa De-Da-Da, Lovie Austin: Heebie Jeebies, Henderson: Alabamy Bound, Piron: Red Man Blues, Austin: Don’t Shake It No More, University 6: Charleston Baby of Mine, Art Gillham: Angry, U6: Desdemona, The Camel Walk, Ellington: I’m Gonna Hang Around My Sugar, Moten: 18th Street Strut.
Henderson’s dance band combined rhythm with levity. Armstrong, Hawkins, Redman are special signatures. Gershwin on piano evokes hoofers choreographed on a Broadway stage. Eddie Lang makes the guitar an essential sound of jazz. Clarence Williams made some of the very best jazz records, here with a Bechet tune. Lovie Austin demonstrates rhythm piano. Piron gives another definition of New Orleans jazz.. The USix debut under that name, with Rollini details. Ellington is not yet a prime time attraction as were Henderson and Moten. Disparities in sound are heard across a spectrum from microphone to non-microphone.
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