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Inertias, we think that we’re—no we know—that we’re in love with the religious icon, pioneeress of reality TV, genre bending media mogul, original meme queen, and New York Times best selling memoirist that we’re fawning over this week. Gennifertias, give it up for THE Daisy Duke and our Miss Thing — the most famous big sister out there and most full throated singer around — JESSICA SIMPSON. In this ep, Greg looks back on the time he had to report some very damaged luggage at the airport and ended up shocking the TSA officer when he told him one very important detail about his suitcase while Tim remembers the time he gave his roommate a Covid haircut and left a mark so unforgettable that his roommate moved out shortly there after. Other highlights include: cognitive decline, the origin of the show “Euphoria”, the food menu at the gay bar Hi Tops, Tim praising the Amazon worker who tried to save his package, Greg reminiscing on Madonna’s “Confessions on a Dance Floor” (his first gym album), and they both finally admit to who they truly are — THE elder millennials. They also talk Joe Simpson being the original momager, the millennial pause, how “like” is a fundamental part of every sentence, and reheated nachos. Of course, they ask essential Qs like, “What are your thoughts on the tuna at Subway?” and “Is Greg Al Roker?" So Gennifer Zs, slip on your fave cork-bottom wedge shoes and get ready for an ep that’s a total Chicken of the Sea-packed feast for the senses. And never forget… if you can’t handle us at our Renaissance world tour, you don’t deserve us at whatever Shakira’s current world tour is called. Oh and John Mayer, you’re on notice. BONK!

Watch the full episode on our YouTube and follow below!

Show Instagram: https://www.instagram.com/missthingthepod 

Show Tiktok: https://www.tiktok.com/@missthingthepod 

Greg: https://www.instagram.com/gregtrimmer/

Tim: https://www.instagram.com/tim_zientek/

Miss Thing with Greg & Tim is created, executive produced, and hosted by Greg Trimmer and Tim Zientek. Produced and edited by Benji Simons. Cover art was created by Claude Zeins.

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