This week Darren and Natalie explore two masterful productions that examine ambition, morality, and the price of desire - from the glittering privilege of 1980s Britain to the guilt and grief of post-war America.
The Line of Beauty
Step into Thatcher’s Britain through the eyes of Nick Guest, a young man seduced by a world of wealth, politics and sensuality. Moving into the lavish Notting Hill home of his university friend Toby, Nick finds himself drawn into the lives of Toby’s ambitious father, Tory MP Gerald, his graceful wife Rachel, and their troubled daughter Cat. From decadent dinner parties to clandestine encounters, Nick’s pursuit of beauty leads to revelations about class, power, and the cost of belonging.
Adapted by Olivier Award nominee Jack Holden (Cruise, Kenrex) from Alan Hollinghurst’s Booker Prize-winning novel and directed by Tony Award winner Michael Grandage, The Line of Beauty is a visually stunning, emotionally charged portrait of privilege and longing in a society on the brink of transformation.
All My Sons
Across the Atlantic, Arthur Miller’s devastating classic receives a dazzling revival from visionary director Ivo van Hove. Starring an extraordinary ensemble - Bryan Cranston, Marianne Jean-Baptiste, Paapa Essiedu, Tom Glynn-Carney, and Hayley Squires.
Set in post-war America, self-made businessman Joe Keller’s success hides a dark secret. As his family unravels under the weight of wartime profiteering and personal loss, All My Sons delivers two gripping hours of moral reckoning, exposing the fragile façade of the American Dream.
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