In this age of Hollywood blockbusters, the star actors and merchandising possibilities often outshine the music. That was the case in 1933 as well, until a child prodigy rescued one of the potential biggest flops of its time - King Kong - with something called a film score. Ahead of next week's chat with musical talent and composer Junkie XL (Mad Max, Deadpool), we dive into the life of Max Steiner, who went on to compose the scores for Gone with the Wind and Casablanca, and ushered in a new era of film composition.
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