In this, our fourth episode, Matt and Caitlin discuss François Truffaut's The 400 Blows (1959). They also take some time to further delve into and explain their different tastes in film.
Talking points:
The 400 Blows, auteurism, genre enthusiasts vs. auteur suckers, sad boys, film bros, "seminal," new wave cinema, The Texas Chain Saw as high art, form vs. content, and more!
To see the review Caitlin wrote for Stephen King's The Institute, go here: https://www.sublimehorror.com/books/the-institute-stephen-king-review/
