In post-war Vienna, with the city divided by the Cold War, Carol Reed's The Third Man breaks new ground in the film noir genre. Arthur and Andrew get the opportunity to talk about Orson Welles and his antics on set, as well as how director Carol Reed and cinematographer Robert Krasker came up with the iconic visuals. We also discuss how this film encompasses the cinematic movements of the 1940s, and we sum up our thoughts on the decade.
