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๐™๐™๐™š ๐™ง๐™š๐™ฅ๐™š๐™ง๐™ฉ๐™ค๐™ž๐™ง๐™š ๐™˜๐™๐™ค๐™ž๐™˜๐™š ๐™ž๐™จ ๐™– ๐™˜๐™ค๐™ฃ๐™™๐™ช๐™˜๐™ฉ๐™ค๐™งโ€™๐™จ ๐™ก๐™ค๐™ช๐™™๐™š๐™จ๐™ฉ ๐™–๐™ง๐™ฉ๐™ž๐™จ๐™ฉ๐™ž๐™˜ ๐™ซ๐™ค๐™ž๐™˜๐™š.ย 

During our training and study, we rarely learn how to program, plan, and curate a concert, because we are often given conducting assignments by our teachers, and had very limited rehearsal time to prepare for a performance.ย 

In this episode, my guest Michelle Rofrano is going to walk you through her process for deciding and researching repertoire for PROTESTRA, a coalition of classical musicians who protest injustices and raise awareness through benefit performances.


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