Bloodhaus spent the week studying the late great Spanish filmmaker, Eloy de la Iglesia! This week they cover his early works, The Cannibal Man (1972) and No One Heard the Scream (1973). From wiki: “De la Iglesia was an outspoken gay and socialist filmmaker who is relatively unknown outside Spain despite a prolific and successful career in his native country. He is best remembered for having portrayed urban marginality and the world of drugs and juvenile delinquency, with many of his films dealing with the theme of homosexuality. Part of his work is closely related to the phenomenon popularly known in Spain as quinqui films, to which he contributed several works. De la Iglesia took risk in his films that captured the struggles of the underclass, portraying the everyday, unidealized lives of powerless characters portrayed genuinely with flaws and vices. They are an example of commitment to the immediate reality, going against the conformist outlook of most movies of its time. Beyond their debatable aesthetic merits, his film served a document of the Spanish marginality of the late seventies and early eighties, and they have the stamp of his strong personality. Many of these films also deal with the theme of homosexuality.”
Drusilla did the cover for the Criterion release of Mean Streets! Huzzah! Josh went to Big Bear. Drusilla did the art for Colegas on the Altered Innocence label. Also discussed: Navajeros, El Pico, The Texas Chain Saw Massacre, Female Trouble, Eraserhead, Delicatessen, Hannibal, Severin Films, La Residencia, Almodóvar, and more!
NEXT WEEK: The Haunted Palace (1963)
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