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In 1978, beneath the streets of Toronto’s Cabbagetown neighbourhood, one man stepped into a place most people never think about—and came back with a story that would quietly enter the city’s folklore.
In this episode of Down the Crooked Path, Amanda Joy explores the chilling account of the Cabbagetown Tunnel Monster. A narrow drainage tunnel. A brief but unsettling encounter. A voice that shouldn’t have been there. What happened in those moments has been debated, dismissed, and remembered for decades.
Was it a misunderstood encounter? A trick of fear and isolation? Or something that doesn’t fit neatly into explanation?
Drawing from contemporary reporting and the enduring legacy of the story, this episode examines how urban legends are born, why they persist, and what they reveal about the hidden spaces beneath our cities—and ourselves.
Some mysteries don’t come from faraway wilderness.
Some are closer than we’d like to believe.
🌱 PayYourRent.ca is an Indigenous-led grassroots initiative calling on settlers to engage in ongoing, voluntary financial redistribution in support of Indigenous land defenders, sovereignty, and community well-being.
This foundation supports urgent needs like housing, food security, legal defense, and cultural revitalization—all grounded in the principle that land back also means resource back.
If you live, work, or benefit from life on stolen land, consider learning more or making a monthly contribution at PayYourRent.ca.
Justice isn’t a moment—it’s a commitment.
Your next creepy obsession starts here.
✨ This episode is brought to you by Fable & Frame Creative ✨
Fable & Frame Creative offers Niagara Region portraits and at-home newborn sessions, capturing not just how life looks — but how it feels. Because your life isn’t ordinary. It’s a fable, and it deserves to be framed like one.
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🕯️ You can find new episodes of Down the Crooked Path every Thursday, wherever you get your podcasts.
Canadian content airs right here on the Canadian Creepies feed—so stay tuned, and stay on the path.
Edited by Kyle McDonnell
