In this episode of Movie of the Year, Ryan, Greg, and Mike examine Klute, Alan J. Pakula’s groundbreaking 1971 thriller that fused noir, feminist character study, and political paranoia into a single atmospheric masterpiece. From its haunting portrayal of loneliness to its razor-sharp critique of power and control, Klute remains one of the most influential films of the 1970s — a tense, stylish, and unsettling work anchored by unforgettable performances.
The Taste Buds explore how Klute uses mood, silence, and perspective to reimagine what a thriller can be, and why its themes still resonate decades later.
Alan J. Pakula, working with cinematographer Gordon Willis, created in Klute what would become the visual and tonal blueprint for 1970s paranoia cinema. The Taste Buds discuss how the Pakula/Willis partnership shaped not only this film, but future classics as well.
This visual strategy becomes the DNA of Pakula’s later films, but Klute is where the paranoia begins.
No element of Klute is more celebrated than Jane Fonda’s performance as Bree Daniels, a character whose complexity transformed the possibilities for female roles in crime and thriller cinema.
Ryan, Greg, and Mike explore how Bree’s character:
Fonda delivers a portrait of a woman who is both vulnerable and fiercely self-aware — a character fighting for autonomy in a world designed to control her.
While Bree is the heart of the film, Donald Sutherland’s John Klute is the unstable axis around which the mystery turns. His restrained, almost withdrawn performance contrasts sharply with Bree’s vivid emotional life.
The Taste Buds discuss how John Klute:
His quietness becomes the film’s most unsettling element — the fear that danger might come not from action, but from inaction.
The Taste Buds analyze the movie as a story deeply invested in the forces that shape who we become and how we behave: