In this episode of Movie of the Year, the Taste Buds turn their sights on The Limey (1999), Steven Soderbergh’s sharp revenge thriller about grief, family, and memory. Mixing classic crime tropes with experimental editing, The Limey is both a gripping noir and an impressionistic meditation on loss. With Terence Stamp delivering a career-defining performance, the film remains one of Soderbergh’s most daring works.
At the heart of The Limey lies a conversation between two eras. Terence Stamp’s Wilson—a hardened ex-con from the swinging London of the 1960s—arrives in neon-soaked Los Angeles of the 1990s to uncover the truth about his daughter’s death. The Taste Buds discuss how the film contrasts the ideals, aesthetics, and morality of these decades, using Wilson’s journey as both a cultural clash and a generational reckoning.
Known for pushing boundaries, Steven Soderbergh infuses The Limey with fractured editing, nonlinear storytelling, and the haunting use of flashbacks. The Taste Buds break down how these stylistic choices elevate a standard revenge plot into a hypnotic piece of cinema. They also explore how The Limey connects to Soderbergh’s other 1999 classic, Out of Sight, and how his experimental style paved the way for his 2000s successes.
While The Limey is structured like a thriller, its true heartbeat lies in themes of family and redemption. Wilson’s grief over his daughter and his desperate search for answers give the film unexpected emotional weight. The Taste Buds explore how family drives the story forward, turning vengeance into something deeply human and heartbreaking.
Joining this week’s episode is Adam Kempenaar, host of the long-running podcast Filmspotting. Adam brings decades of cinephile experience and critical insight to the discussion, offering a deeper look at Soderbergh’s influence and the lasting cultural relevance of The Limey. His perspective helps connect the film to both classic noir traditions and contemporary cinema.
The Taste Buds balance The Limey’s brooding intensity with a bonus discussion of 10 Things I Hate About You, the teen comedy that reimagines Shakespeare for the 1990s. They break down the film’s clever script, breakout performances from Heath Ledger and Julia Stiles, and how it epitomizes the teen movie boom of the decade. Together, the two films showcase the remarkable range of 1999 cinema.
What is The Limey (1999) about?
The film follows Wilson (Terence Stamp), an ex-con who travels to Los Angeles to investigate his daughter’s mysterious death.
Why is Steven Soderbergh’s style in The Limey unique?
Through nonlinear editing, impressionistic flashbacks, and tonal shifts, Soderbergh transforms a revenge story into an artful meditation on grief and memory.
Why is family important in the film?
Wilson’s pursuit of justice is rooted in his...
