This week, Rob, Red and Scott hang out in the Nostromo Lounge
and discuss the refreshingly unexpected "Pre-apocalyptic" nature of
the original
"_blank">MAD MAX from 1979, the revolutionary and genre
defining masterpiece
"http://en.wikipedia.org/wiki/Mad_Max_2" target="_blank">MAD MAX 2:
THE ROAD WARRIOR, what factors led to the criminally underrated
Doug Liman flick
"http://en.wikipedia.org/wiki/Edge_of_Tomorrow_(film)" target=
"_blank">EDGE OF TOMORROW, whether or not shooting on 65mm film
is a wise decision for Quentin Tarantino's next film
"http://en.wikipedia.org/wiki/The_Hateful_Eight" target=
"_blank">THE HATEFUL EIGHT, our excitement for
"http://en.wikipedia.org/wiki/The_Lobster" target="_blank">THE
LOBSTER; a delightfully insane looking new dark comedy
debuting at the Cannes International Film Festival this week and
much, much more before our featured review of the absolutely
staggering achievement that is
"http://en.wikipedia.org/wiki/Mad_Max:_Fury_Road" target=
"_blank">MAD MAX: FURY ROAD from visionary writer/director
George Miller.
So gather up all the WarBoys, spray some chrome paint into your
mouth, dust off your old Tina Turner records, shave off just one of
your eyebrows, and let's start siphoning guzzoline into the air
intakes of our V8 Interceptors.
SHOW GUIDE
CREDITS
