In which we use Guy Vanderhaeghe's novel 'The Englishman's Boy' to discuss the Cypress Hills Massacre (1873) and how, in its aftermath, Canada fast-tracked the creation of the North-West Mounted Police.
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Sources & Further Reading:
- Calder, Alison. "Unsettling the West: Nation and Genre in Guy Vanderhaeghe's The Englishman's Boy." Studies in Canadian Literature / Études en littérature canadienne, volume 25, number 2, fall 2000, p. 96–107. https://id.erudit.org/iderudit/scl25_2art05
- Dempsey, Hugh A. "Cypress Hills Massacre." The Montana Magazine of History, vol. 3, no. 4, 1953, pp. 1–9. http://www.jstor.org/stable/4515883.
- Janes, Daniela. "Truth and History: Representing the Aura in The Englishman's Boy." Studies in Canadian Literature / Études en littérature canadienne, volume 27, number 1, spring 2002, p. 88–104. https://id.erudit.org/iderudit/scl27_1art07
- Macleod, R. C. "North-West Mounted Police." The Oxford Companion to Canadian History, Oxford University Press, 2004.
- Vanderhaeghe, Guy. The Englishman's Boy, London: Anchor, 1996.
- Wang, Mei-Chuen. "Wilderness, the West and the national imaginary in Guy Vanderhaeghe's The Englishman's Boy." British Journal of Canadian Studies (2013), 26, (1), pp. 21–38. https://doi.org/10.3828/bjcs.2013.2
- Zacharias, Robert. "A Desire for the Real: The Power of Film in The Englishman's Boy." Studies in Canadian Literature / Études en littérature canadienne, vol. 34, no. 2, 2009, pp. 245–263. https://id.erudit.org/iderudit/scl34_2art12
