This week, the Mikes dig into Mad Dog and Glory, a tonal Frankenstein that tries to mash together a gangster movie and a romantic comedy, with mixed results. We break down De Niro's awkwardly gentle performance, Bill Murray's scene‑hijacking mob boss, and why the movie never quite figures out what it wants to be. Plus: the risks of casting against type, why quirk can't save weak character work, and how this movie ends up feeling stranger than it probably intended.
Films recommended this episode:
