What's the most shocking Pixar film? Mike argues that it's Wall-E and Dan doesn't disagree. After talking about how the film, like its title character, doesn't really fit in anywhere, the guys talk about what makes Wall-E so compelling and get into a debate about whether or not the film could--or should--sustain the silence of its first half. Rear Window, 2001, and even Logan's Run all come into the discussion. So turn off Hello, Dolly! and turn on our episode on this strange and perfect film.
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