Today, I’m sitting down with Wayne Pashley, the Oscar-Nominated Sound Editor & Sound Designer best known for Baz Luhrmann’s ELVIS. We talk about the immense technical undertaking of re-creating Elvis’s iconic music and voice, and why this ELVIS wasn’t a biopic, but an opera.
He’s had a legendary career with Director Baz Luhrmann, but he also created the sonic chaos of MAD MAX: FURY ROAD.
Wayne tells us how he got his start in the business, about being a part of the Australian New Wave of Movies, and what it means to create sonic glue!
This is a great talk with a fabulous artist, so please listen, share, and enjoy.
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