Date: May 14, 1974
City/State: Boston, MA
Venue: Orpheum Theatre
Supporting: Jesse Colin Young & Livingston Taylor
The Setlist:
Travelin' Prayer
Somewhere Along The Line
Technical Difficulty Blues
Piano Man
The Entertainer
The Ballad of Billy The Kid
Worse Comes To Worst
Everybody Loves You Now
Captain Jack
Ain't No Crime
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In less than 50 minutes, the bootleg recording of Billy Joel at the Orpheum Theater in 1974 reveals the trajectory of his career up to that point and hints toward the challenges and major changes to come.
It’s not his most popular bootleg, but as a warts-and-all snapshot of this moment, it’s surprisingly revelatory.
The show, recorded on May 14th of that year, is Billy’s first performance in Boston, Massachusetts. He’s the first opener on a three-band bill with Livingston Taylor and Jesse Colin Young.
But, already there are hints of his future success and the changes he’d make over the next few years.
Of the nine songs Billy plays here, Three will get updated on 1981’s Songs in the Attic and you can already hear some of the changes taking form. All but two are from Piano Man. And, one is only a few weeks old. But more than the songs themselves, this recording is a rare glimpse of Billy between his first hit song, Piano Man, and Streetlife Serenade, an album he felt was a failure out of the gate.
You’ll hear the west coast feel of his live band, an approach that he’d soon consciously jettison for the tougher East Coast sound that would become his hallmark. And, you’ll hear him wrestle with technical issues, often humorously. He’s also developing his rapport with his audience, and their response points to where his career would soon go.
Join us as we dive deep in Billy Joel, live at the Orpheum Theater in 1974.
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Produced by Michael Grosvenor & Jack Firneno for Groove Music Marketing
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