Following our Strokes episode last week, we take a look at Balkans, a short-lived act from Atlanta that garnered obscure success with their self-titled debut in 2011. With the rock landscape already having moved past the post-punk revival of the early 2000s, Balkans proved that there was still some juice left in the lo-fi garage sound of their predecessors while still bringing something fresh to the table with an album that changes tempo nearly as often as it changes tracks. Singer-guitar player Frankie Broyles' off-key and monotone vocals pays perfect homage to Casablancas atop often relentless percussion and angular punk guitar riffs. An excellent album for those longing for a fresh take on the post-punk 2000s, Balkans proved that the next generation of rockers were paying attention and gave hope that perhaps the movement wasn't completely troubled and done.
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