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Description

02:30- A timeline of The Mechanical Licensing Collective opening their doors.

03:59- Working with the Harry Fox Agency and critical reception with them as a vendor.

09:20- In the future who do (publishers) see about licensing, The Mechanical Licensing Collective or the Harry Fox Agency?

12:58- What are ways publishers should be putting their best foot forward with data management and input?

18:49- The funding for the MLC.

20:46- How can you explain distributing 424 million dollars of unmatched money?

The AIMP Nashville Pubcast is a DiMe Collective Production

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