What seems like a simple question about exclamation points opens up a much bigger discussion about the power of comics lettering. Brad and Dave talk about punctuation, word balloons, font choices, and the unique grammar of comics — and why cartoonists have tools that prose writers can only dream of. They also share thoughts on staying creative during major disruptions, from studio moves to home renovations.
On today's show...
- Exclamation points in comics: how many is too many?
- Whether to use one, two, or three exclamation points
- Why comics grammar differs from prose grammar
- Using lettering, font size, bolding, and balloon shape instead of extra punctuation
- When punctuation becomes unnecessary in comics lettering
- Nate Piekos’s The Essential Guide to Comic Book Lettering
- Question marks, exclamation points, and the interrobang
- How punctuation order can affect emotional meaning
- Writing dialogue for comics: numerals, abbreviations, and natural speech
- Jim Davis, Garfield, and simplifying comics language
- Meeting readers where they are through visual storytelling
- NCS Reuben Awards weekend in Columbus, Ohio
- Brad and Dave’s panel: “Actionable Advice in a Time of Change”
- Remodeling, moving studios, and creative disruption
- Setting up a dedicated creative space during chaos
- Managing the cognitive load of unfinished studio/home projects
- Why working ahead matters before a move or remodel
- The danger of putting fun distractions in your studio
- The temptation of arcade cabinets, pool tables, and other creativity killers
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Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
