Description

• I think as musicians we have particular concerns that perhaps looking at those through an ecological lens can be helpful. One of them is to think about the structures of funding which allow us to operate and to maybe reconsider them because they might change. And to be open to that change and to find solutions. And those solutions might be that we need to advocate for other kinds of support, if we still want to advocate for support, or to engage in other types of activities to make a living. Maybe that sounds a little bit defeatist, but I am trying to think in a very pragmatic way about what might be helpful and useful to create a greater sense of security and happiness in the future.

Terri Hron’s work explores historical instrumental performance practice and repertoire, field recording, ceramics, movement, video, among other things. 

Besides composing and performing works for and with others, Terri, who lives in Montreal, produces performances, gatherings and events.

For example, when she was Executive Director the Canadian New Music Network (CNMN) she implemented a series of groundbreaking programs focusing on equity, pluralism, sustainability and accessibility including a more inclusive understanding of what new music could be. This was always an issue for me when I studied music in Montreal with ‘la musique contemporaine’, which was exciting but I found to be quite restrictive but now the field is opening up and Terri has played an important role in that widening of scope.

As you’ll hear in our conversation that Terri is passionate about the interconnections between music, social, ecological and labour justice and thankfully, is also able to remain calm in the eye of the storm, as she notes during our conversation :

• I think the only thing that I can do is to try and live with as much integrity as I can and, and avoid participating in the things that I consider to be the least aligned with my values.

At the end of our exchanges you’ll hear Terri recommend some of her favorite publications and artists

• The Master and his Emissary by Iain McGilchrist
• The Age of Insecurity by Astra Taylor
• The Flowering Wand by Sophie Strand
• Brain Forest Quipu by Cecelia Vicuña

Photo credit of cover photo of Terri Hron: Justine Latour

*

END NOTES FOR ALL EPISODES

Hey conscient listeners, 

I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). 

It’s my way to give back.

In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I Ipublish free ‘a calm presence' Substack see https://acalmpresence.substack.com.

Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads,BlueSky, Mastodon, Tik Tok, YouTube andSubstack.

Share what you like, etc

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. 

Claude Schryer

Latest update on July 8, 2025