Today I’m tapped in with a living legend—my brother Jermaine Dupri. Mr. Don Chi Chi. Mr. Make You Dance. So So Def is in the building! We talk the Magic City documentary, how a SCOOTER-linked music move sparked a whole new project, building an Atlanta-only JD-produced album, why the clubs need dance records again, and crazy origin stories behind classics like “We Belong Together,” “Confessions Pt. II,” “Let It Burn,” “Let’s Get Married (Remix),” “Money Ain’t A Thang,” plus Biggie’s “Big Poppa (JD Remix),” and more. Tap in—this one is a masterclass.
🎬 Doc to Album Energy: The Magic City doc (landing on STARZ) inspired JD to craft a Jermaine Dupri album—produced front-to-back by him and built around Atlanta artists only.
🏁 Clubs Need Motion: JD’s mission is simple—DJ ammunition. Records that move a party from one heater to the next, no filler.
🧪 Welcome to ATL Origins: “Welcome to Atlanta” was sparked by a tiny detail—a doormat in Ludacris’ “Throw Dem Bows” video. Inspiration is everywhere.
🕯️ Hits vs. Good Records: A hit lives on the charts and in people’s lives—lyrics become their words, their moments. Radio + resonance = life change.
🕰️ Built in a Night: “We Belong Together” was written overnight (11pm–6am) before Mariah’s flight—then went song of the decade. Pressure makes diamonds.
💸 Betting Big: “Where The Party At (Remix)” got the green light at the highest level—Nelly’s verse at premium price—because labels will spend when it’s really go time.
Magic City (STARZ): How a doc deal born around SXSW/Freaknik momentum turned into a JD-produced Atlanta album.
Scooter partnership spark: New music play → not just “throwing songs out,” but building a cohesive, DJ-proofbody of work.
The Atlanta rulebook: Why JD kept production in-house and artists ATL-only to honor the culture.
State of hip-hop: Clubs are leaning on older records because new party records aren’t doing the job—JD wants to fix that.
Artist development: Real two-year build with Kris Kross; why mystery, image, and intentional artist design still matter in the streaming era.
Remix genius: “Let’s Get Married (Remix)” meets Run-D.M.C. at the same tempo—pure alignment; Biggie asks JD to make “Big Poppa” feel like Brat’s smash.
Confessions era: Part II wrote itself fast, “Let It Burn” came from Usher’s concept JD hadn’t personally felt, yet penned to perfection.
Supergroup talk: JD’s five—Slick Rick, JAY-Z, Big, Snoop, Nas (+ curveball Pimp C).
GOAT vocals & pens: Aretha, Mariah, Beyoncé; Usher, R. Kelly, Michael; writers like Babyface, Berry Gordy, Jam & Lewis.
Almost So So Def: Ludacris was this close—lesson in trusting your gut over the boardroom.
Most expensive record: “Where The Party At”—because winning requires real chips on the table.
“Turn Around” (T.I. • 2 Chainz • Young Dro) — Atlanta Avengers energy
“Welcome to Atlanta” — the doormat moment
“We Belong Together” — overnight to the decade
“Confessions, Pt. II” — fast-written classic
“Let It Burn” — writing from someone else’s lived feeling
“Let’s Get Married (Remix)” — divine tempo alignment
“Big Poppa (JD Remix)” — melodic lift by design
“Money Ain’t A Thang” — bars next to Hov, no training wheels
A&R today: Make something people can’t ignore.
Mystery matters: Don’t let constant streaming content erase the aura.
DJ-first thinking: If it doesn’t work in the club, it won’t live.
No ≠ Never: A “no” is just a route change—study the yes they gave someone else and reverse-engineer it.
Trust your gut: JD’s Luda story = follow instinct over committee.
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