Stephanie Dinkins speaks about always being on the edge of technology, while becoming disillusioned with careers in publishing and advertising as well as navigating a world which wants to overlay its own narratives on her as a person and a practitioner. Stephanie’s story speaks to anyone who has worked or is working on finding their way as an artist in a world under capitalism. And, she lays out the inherent limitations in trying to improve tech. development by imbuing it with perceived “values.”
I find Stephanie’s work to be incisive and playful in the way that it gets to the impacts of AI, due to its universal ability to shift large components of how we live on this planet. And underlying all of her work is an optimism that is very welcome, particularly at this time when there is a tendency towards a dystopic imagination. Stephanie’s response is to neither go full utopia or full dystopia, but, as she puts it, full pro-topia.
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