Visit our website BeautifulIllusions.org for a complete set of show notes and links to almost everything discussed in this episode
Selected References:
- 13:07 - Read “Why I Hope to Die at 75” by Ezekiel J. Emmanuel (The Atlantic, 2014)
- 15:21 - For more see “'Why I hope to die at 75,' revisited” (Advisory Board, 2019) and the “Dr. Emanuel discusses his personal perspective on aging” page of his personal website.
- 17:34 - Read “The Emperor of Ice-Cream” by Wallace Stevens
- 34:03 - Listen to the Brain Science Podcast Episode 194: "The Grieving Brain" with Mary-Frances O'Connor from March, 2022 (YouTube link)
- 39:20 - The Lifetime Setback Game started at the Phish show on August 14th, 2009 at the Comcast Theatre in Hartford, CT when we Darron & Jeff were in their early 30’s
- 41:04 - Read “The Tail End” post from 2015 on the Wait But Why blog
- 54:37 - Listen the Mindscape Episode 10: Megan Rosenbloom on the Death Positive Movement from August, 2018
- 57:50 - Darron is likely referring to this passage from Seneca: “It is likely that some troubles will befall us; but it is not a present fact. How often has the unexpected happened! How often has the expected never come to pass! And even though it is ordained to be, what does it avail to run out to meet your suffering? You will suffer soon enough, when it arrives; so look forward meanwhile to better things. What shall you gain by doing this? Time. There will be many happenings meanwhile which will serve to postpone, or end, or pass on to another person, the trials which are near or even in your very presence. A fire has opened the way to flight. Men have been let down softly by a catastrophe. Sometimes the sword has been checked even at the victim’s throat. Men have survived their own executioners. Even bad fortune is fickle. Perhaps it will come, perhaps not; in the meantime it is not. So look forward to better things.”
This episode was recorded remotely at the Hunting House in November 2024
The “Beautiful Illusions Theme” was performed by Darron Vigliotti (guitar) and Joseph Vigliotti (drums), and was written and recorded by Darron Vigliotti
