Anyone writing historical fiction needs to pay particular attention to how they build the world for the reader/viewer. In this week's episode, Melanie explains how to construct a fictional world around three main setting types. It's fascinating stuff! And Valerie explores what happens when the most interesting character in the story is NOT the protagonist. Does it spell trouble for the narrative, or is there a way (and a reason) to pull it off?
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle: www.valeriefrancis.ca/innercircle
For information about Valerie's upcoming webinars, visit: www.valeriefrancis.ca/webinars
To learn to read like a writer, visit Melanie's website: www.melaniehill.com.au
Follow Valerie on Instagram, Threads and X (Twitter) @valerie_francis
Follow Melanie on Instagram, X (Twitter) and Facebook @MelanieHillAuthor
Acquire the power to write a bestselling story at storynerd.ca/courses
For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.
To learn to read like a writer, visit Melanie's website.
