If it is possible to sensationalize society as a composition, then it is evident that each person plays a part in the rhythm of life. It is interesting to question how sound becomes music and how it becomes possible to study sound anthropologically. I believe that music forms a permanent record of past sounds that can be manifested into the present world. In this sense, social life is born as a result of our ideas being sounded, our intention intonated and its resonance interpreted. Sounds conjured from the soul can be described as a soundcall, a key concept invented by I to describe the broken light of hearing that echoes oscillating ever present moments of unique social orders.
Concepts mentioned will be used in order to communicate ways in which humans communicate. A soundcall can be interpreted as primordial sound manifestations, a signal that resonates a message or an intention, a calling that comes into existence due to humans instinctual nature. A woeful lament as somebody leaves or a vibrant blow of a conch shell sounding a message of arrival. Ruminations from the soul that have the capacity to intonate some sort of symbolic interactions propelling a social body into active life. A soundcall is a vibration omitted from the inner being of an individual, projected into the external world and accordingly picked up by the ear of whomever pertains the air of the soundcall will hear.
