This is a studio recording of composer Geoffrey Gordon's new work for tenor trombone and piano, Vermilion, after the painting by Henri Matisse, with soloist Yu Tamaki Hoso and pianist Kosuke Akimoto, recorded in Tokyo, 28 August 2021.
PROGRAM NOTES:
"I wouldn't mind turning into a vermilion goldfish" said renowned French artist, Henri Matisse (1869-1954), whose predilection for exploring and using color and composition in unique and vibrant ways fills his paintings with bold imagery often associated with the Fauvist Art movement. The thoughts of the painter Paul Gauguin were known to Matisse: writing about art and color, Gauguin said “How do you see these trees? They are yellow. So, put in yellow; this shadow, rather blue, paint it with pure ultramarine; these red leaves? Put in vermilion”. To his students, Matisse spoke not of red or orange, but vermilion. From around 1912, goldfish, which had been introduced to Europe from East Asia in 17th century became a recurring subject in the work of Matisse. They appear in no less than nine of his paintings, as well as in his drawings and prints. For Matisse, the goldfish came to symbolize a tranquil state of mind and a lost paradise. Visiting Tangier, Matisse had been intrigued to see how people would daydream for hours, gazing into goldfish bowls. In his paintings, the goldfish immediately attract attention due to their color: vermilion. The bright red-orange, so evident and seemingly bursting with its components of red and yellow fused in a dense complicated color, contrasts strongly to surrounding blues and greens, each made brighter by the presence of the other.
