From the soundscape to 'Metro' (dir. Liesbeth Coltof / wr. Roel Adam) - a play for a teenage and early adult audience. The piece was a free adaption of the myth of Orpheus and Eurydice mixed with the story of Dracula.
In a technological underworld resembling a subway ("Metro") station count Dracula is spying on the living, breathing world above, recording and logging everyone's every move. With the arrival of Eurydice who he has chosen as his bride the two worlds meet.
The soundtrack was a reflection of this meeting with multi musician Beppe Costa representing the living, organic world while I gave sound to the technological world underground.
This track is from this technological part of the soundtrack, featuring synths ranging from analogue to fully digital.
(photo by Sanne Peper)
