Modulations is back — with a new musical direction.
In this next chapter, the podcast will focus mainly on live performances from electronic music artists who embrace a DIY approach to creativity — many of whom perform at EMOM and similar grassroots events.
Over the past few years, I’ve been attending various EMOM (Electronic Music Open Mic) events across the north of England. It’s at these gatherings that I’ve discovered some incredible talent — from both familiar and often unknown artists. This includes close friends, whom I’ve had the pleasure of watching take to the stage and perform for the very first time. The whole experience has been inspiring — and eye (or ear) opening, to say the least.
Click here for more information about EMOM and how to get involved: https://electronicmusicopenmic.com
In addition to live performances, I’ll occasionally upload DJ sets — from myself and a few handpicked others. No genre boundaries — just the good stuff.
If you create live electronic music — whether you play at EMOM events or elsewhere — I’d love to hear from you.
To kick things off, please welcome Boris Donkson.
Boris info:
Boris Donkson (UK)
Presenting sounds out of context gives Boris Donkson’s work a firm Concrète base. Passionate about driving interest in electroacoustic music, he performs in pubs and clubs across northern England. As a mature student, a B.A. in Music Production rekindled his passion for early electronic music, and saw him study Sonic Art (MA) at Leeds Beckett. The regular use of spoken word within his work has led to compositions appearing in concerts and poetry podcasts. Broadening the scope of his work to include mixed media and installation pieces, Donkson’s still attempting to bridge the gap between illegal events and formal academic settings.
Pieces in this podcast:
Flex
On The Cut
Neverdently
Cressida
It’s Good to Talk
Conservative MPs
Cluck Click
String And Trumpet
Between The Sounds
Polyethylene Paradigm
