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(Sharbaugh)
Michael Ash Sharbaugh [ https://soundcloud.com/michael-ash-sharbaugh ]: synthesizers, percussion, and 'found sounds'
Composed and Recorded January 25 to 27, 2014.
sm3 [LANDR].

Humanizing this piece was of the utmost importance. Throughout its composition, I could not keep Bassel Safadi [ باسل صفادي ] out of my head: his plight, his privation, his predicament. I viewed the video as requested, but it ‘went in one eye and out the other’; Mr. Bassel was my prime concern.

Having never composed Syrian or Syrian-type music, I familiarized myself with Syrian music scales as approximated to Western scales. Multifid are the Syrian scales I discovered, so I settled upon one that felt aesthetically comfortable: C – Eb – E – F – Ab – (C).

Further unsure of my handle on these Syrian scales, I secured (paid for and downloaded) an improvisation based on the most ancient tablets containing Syrian music transcriptions—pianist Malek Jandali’s “Echoes from Ugarit.” Without listening to Jandali’s part, I imported the introduction to this piece into my DAW, pitch-shifted it down a whole-tone (from D to C), expanded it to conform to 123 BPM, and improvised to it myself using the musical scale outlined in the paragraph above. I recorded my improvisation. It took about sixteen takes.

I then removed (muted) Jandali’s recording and added ‘contrapuntal’ tracks—bass, bell, and strings. The driving rhythm was provided by a sample of a bottle dropped onto a concrete sidewalk and almost broken—a sonic representation of what it might be like to be in Mr. Bassel’s place. The field recording of Syrian grasshoppers was added to highlight what I could imagine would be the despondency and loneliness of Mr. Bassel’s predicament.

More on this 108th Disquiet Junto project (“Create a soundscape for the ancient Syrian city of Palmyra.”) at:

http://disquiet.com/2014/01/23/disquiet0108-freebassel/

More on the Disquiet Junto at:

http://disquiet.com/?p=16588

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

More on the campaign to free Bassel at:

http://freebassel.org/

For their collaboration on this project, special thanks to: Niki Korth, Barry Threw, and Jon Phillips.