More to come...
*Update Three, I tamed the opening pads (the voices in the opening chords are three deep: FL Stylus, NIs Massive, and IKMM's Sytronic) with each pattern/theme x2 respectively for a total of 6 voices to give it that punch... but even compression was having an issue keeping that power in check, so I pushed them all through FL's "Love Filter" to thin them a bit I also got those opening themes "sane" I hope.--even these are used for a dramatic and "joyeus" opening, the main theme heard that is bright and "galloping" is a ending theme, the resurrection Normally I wouldn't obsess on this, but this track will be the "template" for a very major part of the album... The ending a bit ragged again... I will fix this as soon as I am happy with the rest of the piece: version is: StationsOfTheCross_Uber_1b_3_Overture_9_1.flp
*Update two , slight correction of pitch in a few of the notes in the opening theme. Themes like this are very hard to bring to life, slight key clashes happen... I think these are better now. New pad section added to augment the opening "melody" ... may still bring some of the lower notes into new section (The original is a chord structure over 6 notes deep, more like 6 to 8--this is very complex to keep "sane" I have done similar complex chords before (needless to say these "chords" are non standard)
version is: StationsOfTheCross_Uber_1b_3_Overture_7.flp
*Update one , mix/composition 5* while working on parts of this track, another theme "presented" itself... fits perfectly in the opening (as I knew a nice and unusual progression was the way to open this track. This one still needs a bit of clean, but we are very early in a project that has been rattling around in my head for about a year...
version is: StationsOfTheCross_Uber_1b_3_Overture_5.flp
