Guests: Huihui Cheng and Spencer Topel.
During this September edition of the show I talk to two artists who experiment with sound and objects in very different ways. We begin with an interview with Huihui Cheng, an experimental composer I caught up with this summer at the Camargo Foundation in France. This is a recorded conversation in front of her prepared piano as she adjusts it for the premiere of a commission at the Royaumont Festival in France.
For Messenger 2017, Cheng has taken apart an upright piano, created a kind of chained harness for the musician to wear, binding the instrument to the player and allowing for unique methods of interacting with the instrument. This was played by Pianist Claudia Chan in the premier which took place on the 7th of September.
Cheng lives in France and Germany and has had her works performed internationally. In addition to deconstructing pianos, Her unique take on composing has included using the audiences to play the composition via their cell phones. Your Smartest Choice was a performance for four musicians, electronics, and an audience with smartphones which happened at the Eclat Festival in Stuttgart on February, 2017 with members of the 2e2m Ensemble of an original composition by Cheng.
We hear various selections from Cheng’s oeuvre during the show including an opening a selection from Etüde@S played on Tárogató and live electronics, and closing out with some pieces from Your Smartest Choice.
During the second half of the program we have a live conversation with Spencer Topel who is Assistant Professor of Music at Dartmouth College. From October 25th to November 3rd, 2017 his installation PART DES ANGES will be at the World Music Hall, of Wesleyan University in Middletown, CT.
What drew me to Spencer for this month’s show was his collaboration with musician Seth Parker Woods and the construction of a cast ice cello for the performance by Seth of ICED BODIES: Ice Music for Chicago which happened on August 12th at the Arts Club of Chicago in Illinois. In 1972, Fluxus artist/printmaker Jim McWilliams devised a piece for cellist Charlotte Moorman called Ice Music for London. It involved bags of frozen ice cubes fashioned in the shape of a cello, which Moorman, nude, “played” with a plexiglass “bow” for multiple hours. On the 45th anniversary of the original work, Seth Parker Woods and Spencer Topel readdressed McWilliams’ concept with an immersive experience. Woods, in a wetsuit, played an obsidian Ice Cello. As it melted, the amplified sounds of dripping water and falling ice filled the space. The audience was invited to come and go as they pleased during the 4 hours when Woods performed this epic work in its first major realization in 19 years.
We will discuss this and Spencer's many projects involving sound and object-making.
Spencer Topel is an American composer of experimental music and sound installations that explore relationships between architecture, space, and form.
Links:
More about Spencer Topel and his projects: https://www.spencertopel.com/
More about Seth Parker Woods and Iced Bodies: http://www.artsclubchicago.org/exhibition/iced-bodies-ice-music-for-chicago/
More about Hui-hui Cheng and her music: https://huihuicheng.com/
more about the Royaumont Festival: https://www.royaumont.com/fr/presentation-festival-2017/presentation
