“Still Here, Minneapolis” is a sonic fieldwork study exploring the "absent-presence" of marginalized bodies within the architecture of urban memory. Recorded as an act of curated remembrance, the track juxtaposes the haunting reality of "blue lights bleeding into winter" against the defiant, anthemic survival of a community that refuses to be deleted.
While I am an outsider to the physical geography of these events, I am no stranger to the weight of their impact. Distance is a spatial fact, but resonance is a human one. As an Anthropologist of Luxury, I believe the most profound value we can offer is the permanence of our attention. This track is born from the perspective of a witness who felt the tremors from afar and recognized the urgent need for a permanent, sonic record. It is not a local’s account, but a researcher’s archive—a Conceptual Functional response to a moment that shattered the illusion of distance for all of us.
"The market can absorb dissent, but it cannot liquidate moral capital."
