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https://soundcloud.com/francescamackay returns to the airwaves with a new episode of Architextures, 2 hours of music inspired by the YBAs.
The YBAs, or Young British Artists, were a group of innovative artists who began exhibiting at the end of the 1980s and rose to international prominence in the 1990s. They represented a new and exciting phase in British art and were considered innovative, entrepreneurial, provocative and irreverent. They appeared during a period of political and economic upheaval, when Britain was perceived as lacking a truly vibrant postmodern art culture comparable to the Pictures Generation in New York and the Neue Wildern in Berlin. Postmodernism’s characteristic traits: appropriation, rejection of fine art materials, preoccupation with spectacle, and the rejection of distinctions between high and low culture, ran through the heart of much of the YBAs' work. Leading artists of the group include Damien Hirst, whose installation The Physical Impossibility of Death in the Mind of Someone Living consists of a dead shark preserved in formaldehyde in a vitrine, and Tracey Emin; My Bed is comprised of her own dishevelled double bed surrounded by detritus. The shock value, use of non-art material and processes of such works, and the group’s ‘can do’ entrepreneurial attitude and wild ‘art-world slumming’ lifestyles documented in the UK tabloids placed the YBAs at the epicentre of intense debate within the art establishment, media and public spheres and fuelled their subsequent global notoriety and massive commercial success.
This month’s mix is a BritArt Britpop synergy soundtrack for the late 80s and early 90s...from Warehouse to Glasto to the Royal Academy of Art and back again...
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