A film that frightened me when I first saw it as a teenager. Richard’s only now seen it. Does it hold up? Made at a time when there was a real dearth of representation, this is as queer as a film can be, on many levels. The problem is not homosexuality but bourgeois exploitation, including by gay men. Why hasn’t Fassbinder been canonised by all the young queer boys? We speculate on that and much more in the accompanying podcast.
