Description

Dive into the second episode of this two-part series as we continue our conversation with graphic designer, Art Chantry, whose stories sparkle as vibrantly as his colorful posters, offering original insights from Seattle’s grunge era.

These tales span Art’s diverse interests and influences: The allure of archaeology; Dadaism & Surrealism; old commercial art by overlooked masters, accidental inking errors. Chantry exposes the misguided muddling of fine art with graphic design and then explains how graphic design underscores propaganda and politics.

Art concludes by heralding a new book showcasing Estrus Records, home of bands like The Makers, Mono Men and The Mummies. He confesses that his posters and album covers for these bands were his most liberated. So, this publication is a faithful retrospective for a maverick homegrown genius whose impact is international.

"You are standing next to this pond that suddenly emerges and you throw a pebble into the water and this ripple would start. And it got bigger...and before you know, it's a tidal wave; then you hit the shoreline and it's a tsunami and it wipes out half of America; and it's like: 'Wow...I did that....' We were close enough where we could do things like that and actually watch it happen." ~ Art Chantry

𝘛𝘩𝘦 𝘷𝘪𝘦𝘸𝘴 𝘦𝘹𝘱𝘳𝘦𝘴𝘴𝘦𝘥 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘱𝘰𝘥𝘤𝘢𝘴𝘵 𝘴𝘦𝘳𝘪𝘦𝘴 𝘢𝘳𝘦 𝘵𝘩𝘰𝘴𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘨𝘶𝘦𝘴𝘵𝘴 𝘢𝘯𝘥 𝘳𝘦𝘧𝘭𝘦𝘤𝘵 𝘵𝘩𝘦𝘪𝘳 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘭𝘪𝘷𝘦𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴. 𝘗𝘰𝘸𝘦𝘳 𝘰𝘧 𝘗𝘭𝘢𝘤𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘵𝘴 𝘰𝘳𝘢𝘭 𝘩𝘪𝘴𝘵𝘰𝘳𝘪𝘦𝘴 𝘸𝘪𝘵𝘩 𝘳𝘦𝘢𝘭 𝘱𝘦𝘰𝘱𝘭𝘦, 𝘢𝘯𝘥 𝘸𝘩𝘪𝘭𝘦 𝘴𝘰𝘮𝘦 𝘰𝘱𝘪𝘯𝘪𝘰𝘯𝘴 𝘮𝘢𝘺 𝘣𝘦 𝘤𝘰𝘯𝘵𝘳𝘰𝘷𝘦𝘳𝘴𝘪𝘢𝘭, 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦 𝘴𝘩𝘢𝘳𝘦𝘥 𝘢𝘴 𝘢𝘶𝘵𝘩𝘦𝘯𝘵𝘪𝘤 𝘦𝘹𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯𝘴 𝘵𝘩𝘢𝘵 𝘩𝘰𝘯𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘮𝘱𝘭𝘦𝘹𝘪𝘵𝘺 𝘰𝘧 𝘱𝘭𝘢𝘤𝘦. 𝘊𝘰𝘯𝘷𝘦𝘳𝘴𝘢𝘵𝘪𝘰𝘯𝘴 𝘢𝘳𝘦 𝘦𝘥𝘪𝘵𝘦𝘥 𝘧𝘰𝘳 𝘭𝘦𝘯𝘨𝘵𝘩 𝘢𝘯𝘥 𝘤𝘭𝘢𝘳𝘪𝘵𝘺, 𝘣𝘶𝘵 𝘰𝘵𝘩𝘦𝘳𝘸𝘪𝘴𝘦 𝘳𝘦𝘮𝘢𝘪𝘯 𝘶𝘯𝘦𝘥𝘪𝘵𝘦𝘥 𝘵𝘰 𝘱𝘳𝘦𝘴𝘦𝘳𝘷𝘦 𝘤𝘰𝘯𝘵𝘦𝘹𝘵 𝘢𝘯𝘥 𝘴𝘶𝘣𝘴𝘵𝘢𝘯𝘤𝘦. 𝘓𝘪𝘴𝘵𝘦𝘯𝘦𝘳 𝘥𝘪𝘴𝘤𝘳𝘦𝘵𝘪𝘰𝘯 𝘪𝘴 𝘢𝘥𝘷𝘪𝘴𝘦𝘥.