My take on this was to use glitches or extraneous sounds that crop up in field recordings. These are usually edited out but here I extracted some from a couple of recordings and joined them to form a continuous sequence. After extending this sequence and adding a touch of reverb and delay I combined it with an evolving electronic drone.
More on the 715th weekly Disquiet Junto project, Err Apparent — The Assignment: Make a mistake on purpose. Build something from it — at https://disquiet.com/0715/.
