Today’s episode features Muhammedu Abubakari, a teacher of Arabic and Quran, a translator, and a skilled tailor. He translates and speaks in conversation with me and Jawo Zaria Graba, a cocoa farmer and Isshak Fuseini, an economics student.
Together we toured the forest where they produce crops and shared with me their extensive knowledge of the plants and crops that were growing there – palm and the process of extraction palm oil and wine, coconut, cocoa plant, avocado, yam, as well as the medicinal qualities of the plants all coexisting there. While we were walking we also talked politics of farming, race and class.
We all sweat as we provide care, as we labour, as we perform our work, as we fuck, as we survive and as we sacrifice one choice for the other. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our racialized bodies, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework of that which we consider work? These conversations are a means to speak between intersectionalities by anchoring through our (always, already, and ever pervasive) sexualized and racialized bodies, our working bodies, our artistic bodies and our performative bodies. I hope that they contribute to dialogues which normalize sex work as work, and all work as deserving of respect, healthy conditions, and a living wage.
PerfocraZe International Artist Residency www.crazinistartist.com
Gofundme Campaign for -p IAR: https://www.gofundme.com/f/xx48d3-save-piar?qid=cedd48679846198a99f2d784f362af81
HYENAZ Reading Group: https://www.hyenaz.com/art-and-extractivism-reading-group/
We all sweat as we provide care, as we labour, as we perform our work, as we fuck, as we survive and as we sacrifice one choice for the other. How exactly do we define our work and how does that work entangle and circumscribe our sexual identities, our racialized bodies, our creative lives and the ways in which we provide care? How do we perform both tasks and identities within the framework oaf that which we consider work? These conversations are a means to speak between intersectionalities by anchoring through our (always, already, and ever pervasive) sexualized and racialized bodies, our working bodies, our artistic bodies and our performative bodies. I hope that they contribute to dialogues which normalize sex work as work, and all work as deserving of respect, healthy conditions, and a living wage.
You can find out more https://www.alfabus.us/s-w-e-a-t/
Mad Kate (they/them) is an electronic producer, sound designer, performance artist and writer who began working the Berlin performance and club scene in 2004, expanding their unique identity-queering, genderfcking and sexpositive performative work throughout music, theatre and film. Their explorations of borders between/within bodies, audibility, consent, proximity, and touch as political practice have brought them to theaters, communes, technomansions, prisons, dungeons, squats and galleries around the world.
Track List
Mad Kate – My Fear of Pretending feat. Lori Baldwin
Isshak Fuseini and Muhammedu Abubakari praying
