Not sure if this fits the bill, but… A five beat rhythm track was created in Audacity, then multi-tracked and mixed with different pitches and effects and assigned to extreme left or right channels – with one mix being in “true” stereo and one dead centre in mono. A couple of mixes were placed to provide a counter-rhythm. I hope.
A drone track was added in 2 octaves (one left, one right) as well as a Bluecat mix which gives that jittery effect.
Nice and short for a change.
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The Assignment: Get intentional with stereo.
Step 1: Think about stereo for a moment.
Step 2: Now think about it a bit more — specifically, think less about using stereo as a means to give a sense of a physical space to a recording, and more about using stereo as a compositional tool.
Step 3: Record a piece of music in which you engage with stereo based on the ideas you formulated in Step 1 and Step 2.
More on this 549th weekly Disquiet Junto project — Sidelines (The Assignment: Get intentional with stereo) — at: https://disquiet.com/0549/
More on the Disquiet Junto at: https://disquiet.com/junto /
